Mockingjay Hangover: My Review (Spoiler Alert)

August 25, 2010

**SPOILER ALERT! THIS REVIEW CONTAINS SPOILERS!**

MockingjayGood morning (er… make that afternoon), readers! Like many of you who stayed up all night to finish one of the most anticipated YA trilogy conclusions in history, I am just waking up to face a new day. A day where the Hunger Games no longer exist, and where the bright Colorado sun seems completely unreal after so many hours in the dark dystopia of Panem. Coffee? Yeah. Today’s gonna be a 3-cup kinda day!

Here’s what I have to say about Mockingjay. And there are tons of spoilers here, so don’t read on if you don’t want to know what happens!

Let’s start with the good:

Collins did an incredible job conveying the post traumatic stress of the characters who’d endured not only the brutality of the Games, but the brutality of war and revolution — primarily, Katniss and Peeta. The nightmares, the anguish, the never quite finding their place or fitting in with their friends and family again. The sometimes inconsistent behavior and feelings. The self-doubt and suicidal thoughts. If Haymitch from the earlier books was any indication of how victors live post-games, I knew they’d be in for a rocky ride, regardless of the outcome of the story.

I also liked how each of the characters dealt with the justifications of war in different ways. Katniss was always conflicted. Gale was vengeful, but still retained his love for Katniss, which was to me one of the only things preventing him from becoming a total killing machine. Peeta was so far gone from the torture he’d endured at the hands of Snow that I doubted he’d ever come back. Prim found her footing as she matured far beyond her years, taking on the trade of heeler with energy, compassion, and skill. Haymitch and Katniss learned to really respect and care for one another, and their relationship was one of the most interesting in the trilogy.

The parallels between district 13 and the Capitol — that was another great element. As Coin’s motivations became more clear, as the rules in district 13 tightened, I was turning the pages with anticipation as to how this would play out. This part of the storyline had more potential than almost any other subplot… until it just didn’t. And here’s where the momentum of the story started to break down for me.

All the whispers, the hints at conspiracy, the foreshadowing and potential plot twists… it fizzled out, as if “the girl who was on fire” just kinda laid down in the rain. Instead of playing out these awesome political and mind-bendy plot lines, Collins overcompensated with shock value. She over-described some of the violence and gore and spent a lot of time telling us through Katniss about what war does to the mind, but she underdeveloped other parts of the story — important parts. Parts that held the series together and drove the action forward.

Katniss never fully came into her own in Mockingjay. In Hunger Games, she was a floundering yet passionate girl desperate to protect her family and stay alive. While she made a lot of mistakes, we loved her even more for them, because we saw her struggle, we believed her desperation and her motives, and we wanted her to succeed. We saw her near-double-suicide not as the easy way out, but the final spit in the face of the Capitol that had pulled the strings for so long.

In Catching Fire, the story was fast-paced and intense, Katniss still struggling but really maturing as a fighter and a person. She really could be the spark of the revolution, the girl from District 12 who could save the country from final, utter ruin. Like the rebels in Panem, I believed in her. I wanted her to take charge and lead. I get that she was damaged and confused. Grieving and afraid. Unsure of the role forced on her and how to move forward. But still, she seemed poised to fight the fight, in any way that she could. When she sent that message to Snow — YOU WILL BURN WITH US! — I thought, here we go. It’s on!

But after that brief spark, the fire in her seemed to die out. She spent most of the story hiding or running away, or simply following orders (despite her reminding us on several occasions about her inability to follow orders). She talked about some of the parallels between 13 and the Capitol, but this never went anywhere until near the end when Coin — who inexplicably had Prim killed but left Katniss alive, despite having tried to assassinate her with Peeta earlier — asked them to vote on whether to have another Hunger Games. And Katniss, despite the utter defeat of “things will never change,” her ongoing terrible struggles with the aftermath of killing humans for her own survival, and her sympathy for even armed members of the Capitol’s goon squad, votes yes? YES?! I was outraged, but then I thought she must have something up her sleeve.

But when she finally killed Coin, leaving Snow to die on his own, I was utterly let down. Not because of her choice, but because it wasn’t really a choice at all. It seemed random, because Coin happened to be in the line of fire (which also made no sense. If Coin was so afraid of Katniss, why would she arm the girl and then stand in the line of execution?), and Snow coughed and it reminded her of what he said about Coin manipulating them for her own gain, so she raised her bow and let the arrow fly. Yes, Coin had to die, and all the more awesome that it happen at Katniss’ hand, but… how much more powerful could this scene have been if Katniss actually made a choice? Instead, she kills Coin kind of on a whim, then tries for days to kill herself in the aftermath. Coin is dead, Snow is dead, someone else becomes president, and then — just like with the storm on the president’s mansion — Katniss is told about it after the fact. The storm on the mansion was supposed to be one of the most powerful parts of the book, but again, we’re told about it with Katniss after a bizarre dream/near-death sequence. I felt so disconnected from Katniss in this book.

In this kind of a story, a happy ending would seem a mockery. Even a sad ending with too much hope wouldn’t have worked. Children murdering children? Fighting an evil government for the survival of the human race? Not much room for bluebirds and rainbows after that. I liked that she went back to 12, that Haymitch was with her, that they made the book of the dead, that the districts were slowly rebuilding. But overall, I felt the ending was really weak. Yes, Katniss realized that Gale wasn’t right for her, but again, she didn’t have to make any choices. All of the struggles we’d predicted after the intensity and twists in the first two books simply fell apart in Mockingjay. Gale left with little fanfare — in fact, she seemed relieved that he was out of her life so that she didn’t have to chose, and she wasn’t the least upset by the fact that her best and oldest friend (and more) left without a goodbye (or even another word for the rest of her life). Peeta just showed up and kind of waited around until she finally took him in. Her mother basically vanished from her life. Katniss didn’t really grow or change. She just… fizzled. That’s the best word I can think of.

Have you read it? What do you think? Am I being to hard on Katniss? Too hard on Collins? Are you Team Peeta fans happy with the outcome?


Love Contemporary YA? Check Out The Contemps!

August 17, 2010

Celebrate realistic YA with The Contemps!Today marks the launch of The Contemps, a group of 21 young adult authors (including me!) dedicated to putting contemporary, realistic YA fiction in the spotlight!

*applause applause applause*

From our online home at www.thecontemps.com, we’ll host regular blog features Tuesdays through Thursdays (including but not limited to embarrassing stories and photos from our own frightening teen years), contests and giveaways (check out the Contemps Challenge!), author interviews, and spotlights on new contemporary young adult fiction. We’ll also be doing library and bookstore outreach and in-person events early next year.

Participating authors include: Brent Crawford, Hannah Harrington, April Henry, Kirsten Hubbard, Denise Jaden, Kody Keplinger, Jo Knowles, Lindsey Leavitt, Sarah Darer Littman, Michael Northrop, Sarah Ockler (hi!), Micol Ostow, Lisa Schroeder, Elizabeth Scott, Mindi Scott, Emily Wing Smith, Courtney Summers, Kristen Tracy, Melissa Walker, Sara Bennett Wealer, and Daisy Whitney.

If you love contemp YA and want to see more of it, visit The Contemps for a welcome message from Lisa Schroeder, author of CHASING BROOKLYN, FAR FROM YOU, and I HEART YOU, YOU HAUNT ME, and find out how you can get involved in sharing the contemp love.


Best Book for Summer 2010: SEA by Heidi Kling

June 10, 2010

SEA by Heidi R. KlingLast summer, I had the honor of reading an advanced galley of SEA, a debut novel by Heidi Kling. I’ve been dying to tell you all about it ever since, and today, I can finally say it…

Happy Book Birthday, SEA!

SEA hits the shelves across the country today, and people are already chatting it up all over the Intertubes. It’s a beautiful, heartbreaking story about an American teen named Sienna (aka “Sea”) who reluctantly travels to tsunami-ravaged Indonesia with her father to help orphans cope with post traumatic stress. Sea, whose own mother died in a plane crash on a similar trip, has already experienced her share of tragedy and struggle. Visiting the makeshift orphanage in Indonesia forces her to face some of her most personal and guarded demons. Through her eyes, with the help of a smokin’ hot boy named Deni, we get a glimpse of the immeasurable grief and trauma the families in Indonesia have endured, but we also learn a lot about their culture, their relationships, and their determination to rebuild. Sea’s own personal struggle parallels the larger tragedy, and through facing both, she just might find the strength to rebuild herself.

Check out the book trailer:

Romantic and heartfelt, lyrical and deep, SEA should be at the top of your summer reading list! Besides, Hedi is just an all-around sweetheart. So I hope you’ll join me in wishing her all the best on her debut… and when you see this gorgeous cover on the shelves at your favorite bookstore, pick it up!

Congratulations, Heidi!

Sarah Ockler & Heidi Kling


Poet Michael Henry to Read in Buffalo: Join Me!

May 7, 2010

No Stranger Than My Own, by Michael J. HenryDenver poet, executive director of Lighthouse Writers Workshop, and Buffalo area native Michael Henry is coming to town! Before I tell you the whole long story of why this is so exciting (because you know there’s a story, right?), here is the event information. Consider this an official invite for all you Buffalo peeps to join me as Mike reads from his collection of poetry, No Stranger Than My Own, at Talking Leaves next week.

Reading Event Details:
Michael Henry at Talking Leaves Books
Thursday, May 13, 7:00 PM
3158 Main Street
Buffalo, NY, 14214

Now, for the whole long story…

Why Twenty Boy Summer Fans Should Show a Little Love for the Lighthouse Poet

Mike Henry is the reason I write young adult books.

I mean, yeah, I know was born to do it and everything, but if it wasn’t for Mike, I don’t know that I would’ve found my way to the YA section in time to figure that out. Judy Blume aside, most of the books I read as a teen were the stuff of nightmares: V.C. Andrews, Mary Higgins Clark, Stephen King, Robin Cook, and the few adult romance novels I could sneak from the library into my room in a doubled-up Super Duper grocery bag. I’d spent my entire young life reading and writing everything but YA, hiding behind marketing communications jobs that skirted the edge of writing without forcing me to bare my creative soul in public. It was never enough, though.

Here’s the part where the movie voice-over kicks in…

In a world where artists are afraid to bare their creative souls in public, a formerly closeted writer pulls off a death-defying stunt to get her work noticed, and in facing her very public humiliation, discovers the path to her literary dreams…

It was 2003. We’d just moved from New York City to Denver and, in keeping with the new beginnings theme, I’d promised myself I’d sign up for a writers workshop. I Googled “Denver writing groups” and stumbled onto an excerpt about growing up in Buffalo. The author was a Buffalo area native who’d relocated out west and co-founded Lighthouse Writers Workshop, an independent creative writing program in Denver. Well, you all know how I am about signs, right? Right. So I signed up immediately for Mike’s next class: a memoir and personal essay workshop. I was 27 years old.

This is the part where the VH-1 voice-over kicks in…

But then things turned tragic for the band…

I was the youngest person in the class and, in my own opinion, had no business writing a memoir. I’d never done a critique workshop before. Never reviewed anyone’s writing and never willingly put my own out there for public response. All of the writers in that room were so talented, especially Mike, and he’d kick off each class with a 15-minute freewrite during which group members produced better stuff than I could cull from two decades of poems and journals. I lost a lot of weight that semester—I was totally on the nerve diet.

On the day of my critique, I thought I might pass out. Maybe I did, and I just hallucinated the whole thing. Writers weren’t allowed to talk during their own critique, so I just had to sit there and take whatever came. Was I immature? Did I lack style and substance? Was I a no-talent hack? I held my breath and prepared for the attack. But the writers in my class—the ones I’d spent the first half of the semester alternately admiring and feeling unnecessarily intimidated by—were so supportive, encouraging, and amazing. They liked my stuff. They actually liked my stuff!

When I left class that night, I was overjoyed. My smile was fixed; my head was in cloud central. I guess that’s how it happened, just as I waved goodnight to Mike Henry in the parking lot. Well, I was waving. Turns out Mike’s gestures loosely translated as, “Dude! You’re about to hit that telephone pole! STOP!” And here I thought his semi-jumping, two-handed flailing was just a little extra encouragement for the ride home: “See you next time, you shining, literary superstar!”

Ugh. I dented and scratched up my car, and I nearly died (of embarrassment, anyway), all because someone whose writing I’d admired had complimented mine. Ah, the things we do for art!

After class the following week, Mike pulled me aside to discuss one of my pieces—an essay I’d written recounting some trouble my BFF and I got into when we were fifteen involving some makeup and two power-trippy store security guards. He said the essay had a great teen voice and asked if I’d ever considered writing for young adults. Nope. I hadn’t really considered anything at that point—I just knew that I loved writing, had to write, would write anything. Mike told me that Lighthouse had a YA novel class with Jenny Itell starting up soon; he encouraged me to check it out. So I did. Four times in a row.

Looking back on the night of the telephone pole incident, I like to think that Mike saw a lot of unrefined potential in me. A wayward writer with a natural talent and passion on the page—someone who just needed a little guidance to find her true artistic footing. Maybe he just saw me as a liability and wanted me out of his class. Whatever his motives, Mike set me on the path to YA literature—something I’d never before considered. In the Lighthouse YA class, I read Laurie Halse Anderson, Deb Caletti, Sarah Dessen. I wrote and revised. I read and critiqued. I practiced. Under Jenny’s guidance, I wrote Twenty Boy Summer, and I found my voice—my right place on the bookshelves.

And the rest, says the movie voice-over, is literary history.

It’s been seven years since the telephone pole incident and my first class at Lighthouse, and almost three since I last saw Mike. And now he’s coming to Buffalo, and I won’t miss it (or drive into it. Maybe I should walk, just to be safe)!

I can’t wait for Mike to share his latest collection of poetry, No Stranger Than My Own, at our hometown indie next Thursday. If you’re in the area, please join me at Talking Leaves Main Street to show your support for this talented writer and artist. See you there!


Twenty Boy Summer Paperback: 10 Reasons To Pick It Up!

April 19, 2010
Twenty Boy Summer is now available in paperback (well, May 1st is the official release, but it’s popping up in stores everywhere this month). Why should you snag a copy? Well…

10 Reasons to Pick Up Twenty Boy Summer in Paperback:

  1. The paperback has all the summery sea glass love of the hardcover at about half the price.
  2. If you don’t have access to the real beach, Twenty Boy Summer will take you there from the comforts of your couch or cubicle, no sunscreen required.
  3. Twenty Boy Summer was selected for the 2009 Kids IndieNext List and was just nominated for the YALSA Teens’ Top 10 and the YA Book Bloggers Debut Book Battle of 2010.
  4. Do you know what that little red piece on the cover means? You have to read the book to find out!
  5. Reading Twenty Boy Summer is just like visiting the ocean, only without the uncomfortable post-day-at-the-beach sand in your pants.
  6. The paperback is super portable, leaving tons more room in your beach bag for important stuff like lip gloss, sunscreen, bottled water, gum, adorable flip-flops, and a few other fun summer reads!
  7. Boys, nothing says “I’m smart, sensitive, open-minded, and looking for summer love” like a dude on a beach blanket reading a heart-covered book! Seriously, reading TBS is like wearing a pink shirt or holding a baby. It’s practically a love magnet!
  8. Kirkus calls the book “a sincere, romantic tearjerker” and Booklist says its “lyrical writing will satisfy fans of Sarah Dessen,” the queen of summer YA stories!
  9. Unlike bikini season, getting ready for book season requires no embarrassing public dressing room try-ons, contortionist shaving rituals, or last-minute crash dieting!

    And the best reason to pick up Twenty Boy Summer in paperback?

  10. Even a year later, these adorably awesome book bloggers can’t be wrong! :-)

Where to Get a Copy

Twenty Boy Summer is available in retail bookstores everywhere (including some of your favorite indies!) and at the following Web sites:

Goodreads members can also enter the Goodreads Giveaway to win a free signed paperback of Twenty Boy Summer, now through May 15.

Sharing the Love

If you read Twenty Boy Summer and want to share your thoughts with other readers, I encourage you to post your review on Goodreads, LibraryThing, Amazon, Barnes & Noble, or any other book site!

You can also become a fan on Facebook.

Thank you all, and happy summer reading!